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<channel>
	<title>fifth music &#38; sound design</title>
	<atom:link href="http://www.fifth-music.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.fifth-music.com</link>
	<description>fifth music is a young music production based in Innsbruck, Austria. We are specialised in music &#38; sound design for film, TV, motion graphics and commercials.</description>
	<lastBuildDate>Tue, 09 Mar 2010 15:30:25 +0000</lastBuildDate>
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		<title>Music (Original Score) Oscar Nominees</title>
		<link>http://www.fifth-music.com/film-video/music-original-score-oscar-nominees/</link>
		<comments>http://www.fifth-music.com/film-video/music-original-score-oscar-nominees/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 15:30:25 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[film & video]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=612</guid>
		<description><![CDATA[I know &#8211; a little bit too late, but still interesting.
Musican/composer Mark Mothersbaugh (Cloudy with a Chance of Meatballs, New York I Love You, Nick &#38; Nora&#8217;s Infinite Playlist) discusses the musical scores of each of this years nominated films.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fifth-music.com/film-video/music-original-score-oscar-nominees/"><em>Click here to view the embedded video.</em></a></p>
<p>I know &#8211; a little bit too late, but still interesting.</p>
<blockquote><p>Musican/composer Mark Mothersbaugh (Cloudy with a Chance of Meatballs, New York I Love You, Nick &amp; Nora&#8217;s Infinite Playlist) discusses the musical scores of each of this years nominated films.</p></blockquote>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Work Medley</title>
		<link>http://www.fifth-music.com/work/work-medley/</link>
		<comments>http://www.fifth-music.com/work/work-medley/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 15:34:36 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[work]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=608</guid>
		<description><![CDATA[some music from current projects, experiments, finished songs and so forth&#8230;
]]></description>
			<content:encoded><![CDATA[<object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Ffifth-music%2Fworkmedley&amp;g=1&amp;color=ff1e00"></param><param name="allowscriptaccess"
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<p>some music from current projects, experiments, finished songs and so forth&#8230;</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>OK Go&#8217;s Music Video For &#8216;This Too Shall Pass&#8217;</title>
		<link>http://www.fifth-music.com/film-video/ok-gos-music-video-for-this-too-shall-pass/</link>
		<comments>http://www.fifth-music.com/film-video/ok-gos-music-video-for-this-too-shall-pass/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 13:53:37 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[film & video]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=605</guid>
		<description><![CDATA[Those crazy cats at OK Go are tugging at our heartstrings yet again, with the release of a brand new video for the song This Too Shall Pass. It takes the Rube Goldberg machine concept to another level completely.
via [Gizmodo]
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fifth-music.com/film-video/ok-gos-music-video-for-this-too-shall-pass/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Those crazy cats at <a title="Click here to read more posts tagged #okgo" href="http://gizmodo.com/tag/okgo/">OK Go</a> are <a href="http://gizmodo.com/5453042/open-letter-from-ok-go-regarding-non+embeddable-youtube-videos">tugging at our heartstrings yet again</a>, with the release of a brand new video for the song <a title="Click here to read more posts tagged #thistooshallpass" href="http://gizmodo.com/tag/thistooshallpass/">This Too Shall Pass</a>. It takes the Rube Goldberg machine concept to another level completely.</p></blockquote>
<p>via [<a title="Gizmodo" href="http://gizmodo.com/5483526/ok-gos-embeddable-music-video-for-this-too-shall-pass-features-insane-rube-goldberg-machine-sequence" target="_blank">Gizmodo</a>]</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Axis Of Awesome &#8211; 4 Chords</title>
		<link>http://www.fifth-music.com/musik/axis-of-awesome-4-chords/</link>
		<comments>http://www.fifth-music.com/musik/axis-of-awesome-4-chords/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 12:14:45 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=600</guid>
		<description><![CDATA[Axis of Awesome shows us the secrets behind all pop songs ;)
via [audiotuts]
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fifth-music.com/musik/axis-of-awesome-4-chords/"><em>Click here to view the embedded video.</em></a></p>
<p>Axis of Awesome shows us the secrets behind all pop songs ;)</p>
<p>via [<a title="audiotuts" href="http://audio.tutsplus.com/tutorials/composition/beginners-guide-to-songwriting-part-3/#more-4107" target="_blank">audiotuts</a>]</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Upgrade</title>
		<link>http://www.fifth-music.com/other/upgrade/</link>
		<comments>http://www.fifth-music.com/other/upgrade/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 21:36:09 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[other]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=596</guid>
		<description><![CDATA[
Just upgraded to the newest worpress version &#8211; 2.9.2.
Everything should be back to normal now&#8230;
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="WP" src="http://www.drweb.de/magazin/wp-content/uploads/2008/11/wp-logo.png" alt="" width="500" height="310" /></p>
<p>Just upgraded to the newest worpress version &#8211; 2.9.2.</p>
<p>Everything should be back to normal now&#8230;</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Heavy Metal Design</title>
		<link>http://www.fifth-music.com/design/heavy-metal-design/</link>
		<comments>http://www.fifth-music.com/design/heavy-metal-design/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 19:37:20 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[design]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=573</guid>
		<description><![CDATA[
Heavy metal has evolved visually as well. Gone are the fantasy illustrations of radioactive zombies and band logos composed of overlapping swords. After a generation of sprouting subgenres, the heavy metal field is littered with a diversity of styles that even the most hardy metalhead will have trouble encompassing.&#8221;
Read the full article on printmag.com.
via [swens [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="Heavy Metal Design" src="http://www.printmag.com/CMSAssets/Blog/METAL/isis_visionsmag.gif" alt="" width="500" height="380" /></p>
<blockquote><p>Heavy metal has evolved visually as well. Gone are the fantasy illustrations of radioactive zombies and band logos composed of overlapping swords. After a generation of sprouting subgenres, the heavy metal field is littered with a diversity of styles that even the most hardy metalhead will have trouble encompassing.&#8221;</p></blockquote>
<p>Read the full article on <a title="Printmag" href="http://www.printmag.com/Article/The-Exile-of-Satan-from-Heavy-Metal-Design" target="_blank">printmag.com</a>.</p>
<p>via [<a title="Swens Weblog" href="http://swen.antville.org/stories/1973376/" target="_blank">swens weblog</a>]</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Acoustic Botany</title>
		<link>http://www.fifth-music.com/audio/acoustic-botany/</link>
		<comments>http://www.fifth-music.com/audio/acoustic-botany/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 13:54:24 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[audio]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=570</guid>
		<description><![CDATA[
Acoustic Botany, by David Benqué, extracts Synthetic Biology and Genetic Engineering from the usual context of health care, food and environment and examines instead the role they could play in the sphere of culture and entertainment.
via [we make money not art]
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="Acoustic Botany" src="http://www.we-make-money-not-art.com/wow/4345369187_910538499a_o.jpg" alt="" width="425" height="566" /></p>
<blockquote><p><a title="Acoustic Botany" href="http://tblog.davidbenque.com/tagged/acoustic-botany" target="_blank">Acoustic Botany</a>, by <a title="David Benque" href="http://www.davidbenque.com/" target="_blank">David Benqué</a>, extracts Synthetic Biology and Genetic Engineering from the usual context of health care, food and environment and examines instead the role they could play in the sphere of culture and entertainment.</p></blockquote>
<p>via [<a title="We make money not art" href="http://www.we-make-money-not-art.com" target="_blank">we make money not art</a>]</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Oscar sound editors: Noises real and unreal</title>
		<link>http://www.fifth-music.com/audio/oscar-sound-editors-noises-real-and-unreal/</link>
		<comments>http://www.fifth-music.com/audio/oscar-sound-editors-noises-real-and-unreal/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 19:09:29 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[audio]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=568</guid>
		<description><![CDATA[
Peter Caranicas posted a great articel on two different sound editing approaches:
On that day each was nominated for two Oscars: sound editing and sound mixing. Boyes drew the mentions for &#8220;Avatar,&#8221; Ottosson for &#8220;The Hurt Locker.&#8221; Plus, each has the same triple credit: sound designer, sound re-recording mixer and supervising sound editor.
Yet the work of [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="The Hurt Lockder" src="http://cinematropolis.files.wordpress.com/2009/06/una-scena-del-film-the-hurt-locker-81159.jpg" alt="" width="600" height="400" /></p>
<p>Peter Caranicas posted a great articel on two different sound editing approaches:</p>
<blockquote><p>On that day each was nominated for two Oscars: sound editing and sound mixing. Boyes drew the mentions for &#8220;Avatar,&#8221; Ottosson for &#8220;The Hurt Locker.&#8221; Plus, each has the same triple credit: sound designer, sound re-recording mixer and supervising sound editor.</p>
<p>Yet the work of these two seasoned film sound professionals on this season&#8217;s contenders couldn&#8217;t be more different.</p></blockquote>
<p>Read the full article <a title="Hurt Locker &amp; Avatar" href="http://www.variety.com/article/VR1118014883.html?categoryid=3683&amp;cs=1" target="_blank">here</a>&#8230;</p>
<p>via [<a title="Variety" href="http://www.variety.com/article/VR1118014883.html?categoryid=3683&amp;cs=1" target="_blank">variety</a>]</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avatar: Sound Design and Score</title>
		<link>http://www.fifth-music.com/audio/avatar-sound-design-and-score/</link>
		<comments>http://www.fifth-music.com/audio/avatar-sound-design-and-score/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 19:52:09 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[audio]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[film & video]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=562</guid>
		<description><![CDATA[
Wired has some nice videos about the making of avatar: Sound Design, Score, Pre-Production, Post-Production, Motion Capture and so on&#8230;
check out the videos here: Wired
]]></description>
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<p>Wired has some nice videos about the making of avatar: Sound Design, Score, Pre-Production, Post-Production, Motion Capture and so on&#8230;</p>
<p>check out the videos here: <a title="Wired" href="http://www.wired.com/video/culture/avatar/57839433001/avatar-creating-the-world-of-pandora--sound-design/63285047001" target="_blank">Wired</a></p>
]]></content:encoded>
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		<item>
		<title>How to make two Prodigy tracks</title>
		<link>http://www.fifth-music.com/audio/how-to-make-two-prodigy-tracks/</link>
		<comments>http://www.fifth-music.com/audio/how-to-make-two-prodigy-tracks/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 21:23:27 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[audio]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.fifth-music.com/?p=557</guid>
		<description><![CDATA[
Jim Pavloff recreates two lassic tracks by prodigy in ableton live &#8211; inspiring. Keep in mind that Liam Howlett wasn&#8217;t able to use Ableton live back in the days&#8230;

]]></description>
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<p>Jim Pavloff recreates two lassic tracks by prodigy in ableton live &#8211; inspiring. Keep in mind that <span class="toctext"><a title="Liam Howlett" href="http://en.wikipedia.org/wiki/Liam_Howlett" target="_blank">Liam Howlett</a> wasn&#8217;t able to use Ableton live back in the days&#8230;</span></p>
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