Peter Caranicas posted a great articel on two different sound editing approaches:

On that day each was nominated for two Oscars: sound editing and sound mixing. Boyes drew the mentions for “Avatar,” Ottosson for “The Hurt Locker.” Plus, each has the same triple credit: sound designer, sound re-recording mixer and supervising sound editor.

Yet the work of these two seasoned film sound professionals on this season’s contenders couldn’t be more different.

Read the full article here…

via [variety]